Paper cubes, set in a white walkthrough space, melt with the surroundings and seem unnoticeable. Upon entering the space, visitors are faced with the choice of walking on exhibited work. Parts of the cubes will be deformed while visitors walk from one space to another. The visitor’s destructive role in the work is contrary to the usual expectations of behavior in a gallery. The visitor has a role of reshaping the work. With that he becomes a physical participant in the work. The paper cubes are made of thin white paper. The size of each cube is 5x5 cm. The number of the cubes depends on the size of the gallery space. The cubes will fill the entire surface of the floor.

Spheres of variable shape and diameter will be arranged in a specific space. The number and positioning of the spheres will depend on the nature of that space. Each sphere is carved from wood and has a diameter from 10 to 25 cm. Each sphere has a natural crack which I have filled with poured pewter. The form of each sphere is apparently the same, but there are slight variations. Each is handmade so the form is never perfect; always slightly elliptical within millimeters. Each crack is unique, thus also the metal that fills it. The spheres will be fixed to the ground to achieve permanence. Their flexibility and dynamics come to full expression when a certain number of them form a group. The implied possibility of movement entices the viewer to interact with them. A game is offered: to move among them, to touch them, to complete the experience.

2006

Attached to a simple, white pedastal will be a glass filled with my own tears. The work will be placed in the open space. Since the glass is open, weather conditions can affect the tears in the glass, i.e. vaporizing them, mixing them with the rain, etc.Tears are tangible evidence of emotions. They are liquid that I give back to nature.

The construction of the cube is made by four metal supports which contain a network of nineteen glass panes layered diagonally and horizontally. The diagonal panes lean on the supports and the floor. The horizontal panes lean on the supports and the diagonally set glass panes. There are no other joints; everything is based on static energy.The glass cube absorbes the light from other resources and reflects it. Light passes through the cube and alters its environment by casting abstract and geometric shapes.

2005

A simplified act of creation, from the idea to realization of the idea. My hands express the formation and deformation of the perfect circle, serving as the tool and material of the work. Circle equates the simplicity of genesis with the simplicity of deconstruction. The video is conditionally endless, repeating the act of creation and destruction.

16 wood cubes make one synthesized image. It is a childhood game (puzzle) where you get images by putting cubes in different positions. There are 6 images (digital photo) of me crying. By playing the game people are able to play with my emotions through the images.